Cutting them out in a timeline editor means scrubbing, zooming, guessing where the waveform dips, and losing twenty minutes to a task that should take two.

Transcript-based editing inverts that: delete the sentence and the footage goes with it. Once you have worked that way, going back feels absurd.

The other half is what viewers actually see — captions that keep up, and on-screen text that is legible on a phone.